Unsolved Mysteries

If you are old enough to remember watching the old TV show, Unsolved Mysteries, you know how exasperating it was to watch the various stories that explained what happened.

When weird things happen, we want to know why. While we continue the trend of not providing answers, here are 3 unsolved mysteries around the world.

Taos Hum

The Taos Hum is an elusive low-frequency humming noise heard in Taos New Mexico! But its source remains a mystery

The Taos Hum may be best described with the following attributes:

  • First, the hum is selective. Only a small percentage of Taos residents perceive it.
  • Second, the hum is persistent since most hearers perceive it on a weekly basis.
  • Third, the source of the hum must be widespread since hearers perceive it throughout the Taos area. Moreover, all the country describes a similar phenomenon.
  • Fourth, the hum is invariably described as low in frequency and reminiscent of a distant pump, an idling diesel truck, or perhaps someone’s high powered audio bass running amok.

The research revealed, however, that there was not a single identifiable Taos Hum but instead several different ones that people reported; some describe it as whir, hum or buzz. The fact that not everyone heard the same thing was puzzling, and suggests that they may have been reporting subjective experiences instead of objective sounds.

Neurologist Oliver Sacks, for example, has written extensively on both visual and auditory hallucinations in his books “Musicophilia: Tales of Music and the Brain” (2007) and “Hallucinations” (2012). Some of the Taos Hum hearers have even reported hearing it after they have moved out of the area.

here is a music clip of the famous hum

Bermuda Triangle


The Bermuda triangle has always held a certain mystery from planes and ships disappearing this area is well know to have made even people vanish

click here to access a video that was made by the history channel



It all began in 1988 when the CIA Fine Arts Commission commissioned local artist James Sanborn to create a cryptographic sculpture for a courtyard on the CIA campus. Sanborn completed the two-part sculpture in 1990, which included stones laid out in International Morse code near the front entrance of the CIA campus, and a 12-foot-high, verdigrised copper, granite and petrified wood sculpture. The latter, which is the more famous part of Kryptos, was inscribed with four encrypted messages composed from some 1,800 letters carved out of the copper plate.

One of the memos notes that the layout of the two-part sculpture was “a landscaping scheme designed to recall the natural stone out-cropping that existed on the site before the Agency, and that will endure as do mountains.” The placement of the sculpture “in a geologic context reinforces the text’s ‘hidden-ness’ as if it were a fossil or an image frozen in time.”

Working from the transcription obtained by interns a year earlier, they quickly determined, using computer diagnostic tools, that the sculpture consisted of four parts — using at least three different ciphers — and a cryptographic table based on an encryption method developed in the 16th century by a Frenchman named Blaise de Vigenere that was key to helping them solve parts of the puzzle.

The first part of the sculpture used a periodic polyalphabetic substitution cipher using 10 alphabets, and when decrypted was a poetic phrase that Sanborn had composed himself: “Between subtle shading and the absence of light lies the nuance of iqlusion” (“iqlusion” was an intentional misspelling of illusion).

Part two used a periodic polyalphabetic substitution cipher using 8 alphabets. When decrypted, the passage hinted at something buried:

It was totally invisible. How’s that possible? They used the Earth’s magnetic field. x The information was gathered and transmitted underground to an unknown location. x Does Langley know about this? They should: It’s buried out there somewhere. x Who knows the exact location? Only WW. This was his last message. x Thirty-eight degrees fifty-seven minutes six point five seconds north, seventy-seven degrees eight minutes forty-four seconds west. ID by rows.

Part three used a keyed columnar transposition cipher, which the cryptanalysts partly diagnosed solely by “eyeballing” the text.

When decrypted, it was a paraphrased page taken from the diary of archaeologist Howard Carter describing the opening of a door in King Tut’s tomb on Nov. 26, 1922.
Slowly, desperately slowly, the remains of passage debris that encumbered the lower part of the doorway was removed. With trembling hands I made a tiny breach in the upper left-hand corner. And then, widening the hole a little, I inserted the candle and peered in. The hot air escaping from the chamber caused the flame to flicker, but presently details of the room within emerged from the mist. x Can you see anything?

Unfortunately the fourth section stymied the NSA code breakers, as it has continued to do other cryptanalysts for 23 years. The documents noted that “although ideas abound” for deciphering it, the final 97 characters of the sculpture “continue to elude solution.”


In 2010, Sanborn, surprised that the final section had remained unsolved for so long, and perhaps feeling guilty about an error he had made in the sculpture that misled puzzle-solvers for years, decided to disclose six of the 97 letters in the last section. The six letters — NYPVTT — are the 64th through 69th letters of the final section and when deciphered spell out the word “BERLIN.”

“In part of the code that’s been deciphered, I refer to an act that took place when I was at the agency and a location that’s on the ground of the agency,” Sanborn told Wired in 2005. He may be referring to something he buried on the CIA grounds, though he won’t say for sure. The decrypted text gives latitude and longitude coordinates (38 57 6.5 N, 77 8 44 W), which Sanborn has said refer to “locations of the agency.” So sleuths will have to first decipher the code then find their way onto the CIA grounds and locate that place in order to finally discover what it all means

full article click here and to see the website for the sculpture itself click here

The Babushka Lady


While people were pouring over the footage of the assassination of John F. Kennedy in 1963, a mysterious woman was spotted in the film. She was wearing a brown overcoat and a scarf on her head (a “babushka”). She appeared to be holding something in front of her face, like a camera. She appeared many times in the footage and even stayed on the scene after most people left. Shortly after she is seen moving away to the East up Elm Street. The FBI publicly requested that the woman come forward and give them the footage she shot but she never did.

In 1970 a woman named Beverly Oliver came forward, and in interviews with researcher J. Gary Shaw, claimed to have been the Babushka Lady. She was a dancer and singer (although apparently not a stripper) at the Colony Club, a strip joint that competed with Jack Ruby’s Carousel Club. She claims to have spent considerable time in the Carousel Club, and to have known Jack Ruby well. Over the years, her story has been elaborated to include many elements which, if true, imply a conspiracy to murder Kennedy. for her full story click here

for the other unsolved mysteries of the jfk incident click here


For example, a video posted to YouTube in January 2012 by a young Canadian university student near Edmonton, Alberta, contained strange sounds that she asked for help in explaining. The mysterious sounds video went viral, and garnered nearly 2 million views before it was exposed as a prank. In an interview with a local newspaper, she admitted that she made the video “to show my friends and family how easy it was…. and how they shouldn’t believe everything they see online.”